all that remains hoards textures and traces, repackaging them as different interpretations of the still life genre. The Italian painter Giorgio Morandi was famous for his eccentric treatment of his objects - stuffing them with rags and nuts, covering them in dust, revisiting the same compositions over and over.

We all, either out of interest or necessity, surround ourselves with objects. Family heirlooms mingle in the cupboard with a mug from Ikea, a glass stolen from a bar, and perhaps a hideous vase someone brought you back from overseas. This project gathered objects from shared apartments, university workshops, thrift shops, and the street to form a kaleidoscopic catalogue of styles, eras and origins.

But whilst Morandi tried to melt forms into each other through paint, the subjects in this show have dissolved into thin air. There is evidence of their existence: their outlines and shapes, their calculated volumes, and the sounds they make when struck, but this is all that remains.

Documentation courtesy of the artist at IRRE Space Weimar, Germany.